trinetizen

on social media, journalism, tech, design and other stuff

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Location: Kuala Lumpur, Malaysia

Hi. I'm a former journalist and Malaysian correspondent to CNet, ZDnet, Newsbytes (Washington Post-Newsweek Interactive wire agency), Nikkei Electronics Asia and AsiaBizTech.com. I also previously contributed to The Star, The Edge, The New Straits Times, The New Zealand Herald and various magazines. Currently, I train and advise managers and executives on strategies to optimize their use of social media and online channels to reach customers. My company, Trinetizen Media, runs media training workshops on social media, media relations, investor relations, corporate blogging,multimedia marketing, online advertising, multimedia journalism and crisis communications. You can connect with me on Facebook , LinkedIn, Twitter or Google+.

Tuesday, March 02, 2010

The messenger is the media


(Above: Painting entitled The Messenger, 1996. by Bill Viola)

If Marshall McLuhan were alive today, would he instead say the messenger is the media?

The media is crass, commercial and aimed at the lowest common denominator. An endless parade of wannabe idols on a dubious stage. You have to have the "whole package" yet "be original' and then have 14-year-olds decide your fate. Or wipe out.

The media is biased, agenda-laden and orchestrated. It is the coloured ball bouncing around on a snooker table, depending on who's holding the cue for the day. It gets sunk into holes of its own choosing, only to be retrieved by another, so points can be tallied up for either side.

The messenger is the filter, the curator, the aggregator, the means by which we decide what we want to see, hear, debate. When the messenger massages the media, we like him all the more. We subscribe to his take, his point of view, his clarification of the thoughts we think -- but can't seem to express. No spin, nor hype. Just the truth. Plain and simple.

The media is flawed, the messenger is flawed genius. We like him all the more for that very fact. The messenger validates us. He needs us as much as we need him. We become one with him -- momentarily. But we are not so naive as to take him wholesale, all the time. We are, afterall, as empowered as him.

The messenger helps us keep our wits about us when everyone else seems to be losing theirs. He keeps us in the loop and affirms our right to know. He digs down deep, and pushes us to the edge of reasoning. He draws from diverse sources and sieves what needs to be shared, what has to go out, what can't be bought and sold under-the-table, what can't be taken from us by those who feel entitled.

The messenger is in our corner. He's on our team. He doesn't give us a bollocking at half-time even though we are losing. He restores our faith in what we already know. That we need to get out there and just play the game. The way we know. The way we trained for it. For what is the point of being on the field anyway, if we don't want to play the game? He gives us a sense of worth and pride.

The messenger puts us all on the same playing field. It may not always be level, but at least we know the rules of the game. The right way, the way it should be done.

The messenger makes us want to aspire for our higher selves. To make things accountable. To stem the rot and change the status quo. The messenger is our avatar. He is blue and larger than life. We live our lives vicariously through him.

The messenger is the media. The messenger is us. We are the new media.

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Sunday, February 14, 2010

Edward R Murrow on journalism

Just watched George Clooney's Good Night, and Good Luck again - a slow, absorbing and intelligent film on Edward R Murrow, an American broadcast journalist who was highly-regarded and respected.

Murrow, played by a very serious David Straitham, begins and ends this austere, black and white movie, with a 1958 speech that still has bearing on the state of journalism today. Below are the two halves edited together by a YouTuber Evmonk:



The movie focused on a series of TV news reports that helped lead to the censure of Senator Joseph McCarthy.

Some highlights from original speech:



This just might do nobody any good. At the end of this discourse a few people may accuse this reporter of fouling his own comfortable nest, and your organization may be accused of having given hospitality to heretical and even dangerous thoughts. But the elaborate structure of networks, advertising agencies and sponsors will not be shaken or altered. It is my desire, if not my duty, to try to talk to you journeymen with some candor about what is happening to radio and television.

I have no technical advice or counsel to offer those of you who labor in this vineyard that produces words and pictures. You will forgive me for not telling you that instruments with which you work are miraculous, that your responsibility is unprecedented or that your aspirations are frequently frustrated. It is not necessary to remind you that the fact that your voice is amplified to the degree where it reaches from one end of the country to the other does not confer upon you greater wisdom or understanding than you possessed when your voice reached only from one end of the bar to the other. All of these things you know....

I invite your attention to the television schedules of all networks between the hours of 8 and 11 p.m., Eastern Time. Here you will find only fleeting and spasmodic reference to the fact that this nation is in mortal danger. There are, it is true, occasional informative programs presented in that intellectual ghetto on Sunday afternoons. But during the daily peak viewing periods, television in the main insulates us from the realities of the world in which we live. If this state of affairs continues, we may alter an advertising slogan to read: LOOK NOW, PAY LATER.

For surely we shall pay for using this most powerful instrument of communication to insulate the citizenry from the hard and demanding realities which must be faced if we are to survive. I mean the word survive literally. If there were to be a competition in indifference, or perhaps in insulation from reality, then Nero and his fiddle, Chamberlain and his umbrella, could not find a place on an early afternoon sustaining show. If Hollywood were to run out of Indians, the program schedules would be mangled beyond all recognition. Then some courageous soul with a small budget might be able to do a documentary telling what, in fact, we have done--and are still doing--to the Indians in this country. But that would be unpleasant. And we must at all costs shield the sensitive citizens from anything that is unpleasant.

I am entirely persuaded that the American public is more reasonable, restrained and more mature than most of our industry's program planners believe. Their fear of controversy is not warranted by the evidence. I have reason to know, as do many of you, that when the evidence on a controversial subject is fairly and calmly presented, the public recognizes it for what it is--an effort to illuminate rather than to agitate....

This instrument can teach, it can illuminate; yes, and it can even inspire. But it can do so only to the extent that humans are determined to use it to those ends. Otherwise it is merely wires and lights in a box. There is a great and perhaps decisive battle to be fought against ignorance, intolerance and indifference. This weapon of television could be useful.

Stonewall Jackson, who knew something about the use of weapons, is reported to have said, "When war comes, you must draw the sword and throw away the scabbard." The trouble with television is that it is rusting in the scabbard during a battle for survival.




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